Editor. Proofreader. Wordsmith. Fact-Checker. Researcher.
elided; eliding
transitive verb
1 a : to suppress or alter (something, such as a vowel or syllable) by elision
b : to strike out (something, such as a written word)
2 a : to leave out of consideration : omit
b : curtail, abridge
Examples of elide in a Sentence
some unnecessary verbiage will need to be elided, but otherwise the article is publishable
the product presentation was not elided—it’s always only 15 minutes long
One early spelling of “Halloween” was “All Hallows’ Even (Even = evening). The “all” and “s” were dropped, “hallows’ ” and “even” became a closed compound, and the apostrophe took the place of the “v,” giving us “Hallowe’en”—just one of many transitional spellings along the way to “Halloween,” which the Oxford English Dictionary shows as first appearing in 1786.
Other spellings before “Halloween” included “Hallow-e’en,” “Alhollon Eue,” and “Halhalon evyn.”
It originated with the ancient Celtic festival of Samhain, when people would light bonfires and wear costumes to ward off ghosts. In the eighth century, Pope Gregory III designated November 1 as a time to honor all saints; soon, All Saints Day incorporated some of the traditions of Samhain. This day marked the end of summer and the harvest and the beginning of the dark, cold winter, a time of year that was often associated with human death. Celts believed that on the night before the new year, the boundary between the worlds of the living and the dead became blurred. On the night of October 31 they celebrated Samhain, when it was believed that the ghosts of the dead returned to earth.
Some Info from History.com
noun
In morphology and lexicography, a lemma (plural lemmas or lemmata) is the canonical form, dictionary form, or citation form of a set of words (headword). In English, for example, run, runs, ran and running are forms of the same lexeme, with run as the lemma. Lexeme, in this context, refers to the set of all the forms that have the same meaning, and lemma refers to the particular form that is chosen by convention to represent the lexeme.
In lexicography, this unit is usually also the citation form or headword by which it is indexed. Lemmas have special significance in highly inflected languages such as Arabic, Turkish and Russian.
The process of determining the lemma for a given word is called lemmatisation.
The lemma can be viewed as the chief of the principal parts, although lemmatisation is at least partly arbitrary.
So, in short … A lemma is the dictionary term for the word you’re looking up. If you were to look up the word “jumping” in an English dictionary, you wouldn’t find it as a headword. What you would find is “jump,” the word that represents “jump,” “jumping,” “jumped,” and “jumps.” In this case “jump” is the lemma.
Editor Note: “The More You Know…”
>> Took a linguistics class in college, and decided to share the craziness running around my head tonight. Enjoy!
PS: Sorry this isn’t Word Wednesday… SURPRISE.. it’s WORD THURSDAY?
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
― Ursula K. Le Guin
What is the connection between Ogden Nash and James Thurber? Besides both being humorists, they published at The New Yorker during the same time period. In 1930, Nash’s first poem “Invocation” was published January 11. Did you know Nash contributed 329 poems to The New Yorker between 1930 and 1971?
Meanwhile, the magazine ran a drawing by James Thurber for the first time in the February 22, 1930 issue. E. B. White had rescued Thurber’s doodles from being discarded, and encouraged the writer to publish his art work.
Ogden Nash 37¢
(1902-1971)
Issue Date: August 19, 2002
City: Baltimore, MD
Quantity: 70,000,000
American humorist and poet Ogden Nash wrote light-hearted, whimsical, and sometimes nonsensical verse. He often used an extremely large poetic license to create comical rhymes and puns. Ogden Nash is the 18th honoree of the Literary Arts Series.
An interesting couple of notes about the Ogden Nash stamp. It is the first time the word ‘Sex’ has appeared on a stamp; and probably also is the first time a limerick has appeared on a U.S. stamp.
U.S. Postal Service chief stamp developer Terry McCaffrey told CBSNews.com he expects to get complaints about “sex,” which is included in the six Nash poems in the background of the design: “The Turtle,” “The Cow,” “Crossing The Border,” “The Kitten,” “The Camel,” and “Limerick One.”
Nash poked fun at human foibles without cynicism. He wrote on many subjects, but all of his poems expressed his wry wit and demonstrated his playfulness with language. “I’m very fond of the English language. I tease it, and you tease only the things you love,” Nash reportedly said. He invented words and used puns, creative misspellings, irregular line lengths and unexpected rhymes to make his verse humorous and memorable. Because of his unique style, many consider Ogden Nash to have been one of the most accomplished American writers of light verse in the 20th century.
In a letter to the editor of The New York Times in 1969, Nash complained about stamps that would not stick to envelopes. He lamented, “The Post Office should supply a roll of Scotch tape with every 100 stamps, but mine won’t even sell me one. I’d like to go back to where I came from: 1902.”
Nash considered himself a ‘worsifier’. One of the most universally known verses is: “Candy is dandy/but liquor is quicker.” Others include: “If called by a panther, / Don’t anther,” and “In the vanities / No one wears panities.”
Did you know? Nash’s great-great-grandfather was governor of North Carolina during the Revolution, and that ancestor’s brother was General Francis Nash, for whom Nashville, Tennessee, was named.
James Thurber 29¢
(1894-1961)
Issue Date: September 10, 1994
City: Columbus, OH
Quantity: 150,750,000
One of the most popular humorists of his time, James Thurber celebrated the comic frustrations and eccentricities of ordinary people. In Thurber-Land, the men are often sad, bewildered, and inept; the women are fierce and determined; and their dogs are indifferent to men a women alike, and are immersed in a fantasy world of their own. Thurber is the author of The Secret Life of Walter Mitty, which portrays an oversensitive man who escapes from his nagging wife through his daydreams, and the creator of numerous New Yorker magazine cover cartoons. Writing nearly 40 books, he won a Tony Award for the Broadway play, A Thurber Carnival, in which he often starred as himself.
One of his books, My World and Welcome To It, was turned into an NBC television series in 1969-1970 starring William Windom. My World and Welcome To It, won best Comedy Series and Windom won Best Actor in a Comedy Series at the 1970 Emmys.
Thurber spent much time in and about the Algonquin Hotel in New York City. Though never a formal member of the Algonquin Round Table, he was a favorite among many of its members including, Dorothy Parker and Robert Benchley.
Thurber is the 11th honoree of the Literary Arts series. Read his “The Art of Fiction” interview the Paris Review by George Plimpton and Max Steele.
Did You Know? As a child, Thurber’s brother shot him in the eye with an arrow during a game of William Tell. James Thurber lost his left eye, and the incident left his vision permanently impaired.
For the rest of the Give A Lick: Literary Arts series of blog posts, check out Dorothy Parker and John Steinbeck, as well as Flannery O’Connor and Ralph Ellison.
For Further Reading & Source Material:
Eighty-five from the archive: Ogden Nash
PR Wire “Literary Arts series Continues with Issuance of Ogden Nash stamp”
*Note: The cool thing about this link is that it shows you the full verses of poems used on the Ogden Nash stamp.
Poetry Foundation / Ogden Nash
Ten Facts about Caldecott Winner , James Thurber
Thurber Prize for American Humor
*Note: The Thurber Prize for American Humor is the nation’s highest recognition of the art of humor writing.
Continuing on the Give A Lick: Literary Postage Stamp week, today I will be featuring Flannery O’Connor and Ralph Ellison. The connection between these two stamps is that they are the only two in the series that are intended for three-ounce letters.
Flannery O’Connor 93¢
(1925-1964)
Issue Date: June 5, 2015
City: McLean, VA
Quantity: 20,000,000
Flannery O’Connor’s stamp is 30th in the Literary Arts Series, released in 2015.
Mary Flannery O’Connor was an American writer and essayist. An important voice in American literature, she wrote two novels and 32 short stories, as well as a number of reviews and commentaries. She was a Southern writer who often wrote in a Southern Gothic style and relied heavily on regional settings and grotesque characters. Her writing also reflected her own Roman Catholic faith, and frequently examined questions of morality and ethics.
The stamp shows O’Connor surrounded by peacock feathers—an homage to O’Connor’s love for the birds that she cared for on her mother’s farm toward the end of her life. She wrote about peacocks in a 1961 essay called “The King of Birds.” Today, three of those peacocks that were her pets have been returned to her homeplace in Andalusia, which has become a visitor center.
All three birds are named after characters in O’Connor’s work. The strutting male bird is Manley Pointer, after the scheming Bible salesman from O’Connor’s story “Good Country People.” One of the hens is named Joy/Hulga, after the woman whose prosthetic leg Pointer steals in the same story. The second hen’s name is Mary Grace, the “raw-complexioned girl” from O’Connor’s story “Revelation” in her collection “Everything That Rises Must Converge.”
The setting of Andalusia, including the ever-present peafowl, figures prominently in her fiction. If it is true, as critics and scholars have noted, that Southern fiction is marked by the importance given to a sense of place, then a major force in shaping Flannery O’Connor’s work is landscape. Andalusia provided for her not only a place to live and write, but also a functional landscape in which to set her fiction.
While living at Andalusia, Flannery O’Connor completed Wise Blood, which was published in 1952. Then her highly acclaimed collection of short stories A Good Man Is Hard To Find was published in 1955. She also wrote another novel, The Violent Bear It Away, published in 1960. Her second collection of short stories, Everything That Rises Must Converge, was published posthumously in 1965. A collection of nonfiction prose titled Mystery and Manners, edited by Robert and Sally Fitzgerald, was published in 1969. The Complete Stories, edited by Robert Giroux, won the 1971 National Book Award for Fiction. Then Sally Fitzgerald edited a large collection of O’Connor’s letters, The Habit of Being, which received the National Book Critics Circle Award after its publication in 1979. O’Connor’s Collected Works was published in 1988 as part of the Library of America series, the definitive collection of America’s greatest writers.
Ralph Ellison 91¢
(1913-1994)
Issue Date: February 18, 2014
City: Kansas City, MO
Quantity: 30,000,000
Ellison’s stamp is 29th in the Literary Arts series, released in 2014.
With his 1952 novel Invisible Man, a masterpiece of 20th-century fiction, Ellison drew on a wide range of narrative and cultural traditions, shedding vivid light on the African-American experience while setting a new benchmark for all American novelists.
The stamp art is an oil-on-panel painting featuring a portrait of Ellison based on a black-and-white photograph by Ellison’s friend Gordon Parks, a renowned staff photographer for Life magazine. The photo appeared on the back of the dust jacket of the first edition of Invisible Man in 1952. The background of the stamp art shows a Harlem street at twilight.
Drawing deeply on European and American literature as well as jazz, the blues, African-American folklore, and popular culture, Invisible Man won the National Book Award in 1953. Ellison’s nonfiction writing, especially the 1964 collection Shadow and Act, has also been praised for providing touchstones for black artists who loved American culture but often felt excluded by it.
In case you missed it, come and check out the rest of the “Give a Lick” Literary Postage Stamp series:
John Steinbeck and Dorothy Parker
Humorists James Thurber and Ogden Nash
[Bonus James Thurber cartoon]
Inspiration comes from many places. Today’s blog post inspiration came from the Richard Wright quote of last week, when I went looking for an image of Mr. Wright to use as the focal point. His postage stamp led me to wonder what other literary wordsmiths had been immortalized on postage stamps.
The USPS started the Literary Arts series in 1979. According to the USPS, “These skillful wordsmiths spun our favorite tales — and American history along with them.”
The full list of Literary Arts postage stamps can be found on the USPS website. I will be highlighting two per day this week, with perhaps a second week to come later on.
Today’s highlighted Literary Giants are John Steinbeck and Dorothy Parker.
John Steinbeck 15¢
(1902-1968)
Issue date: February 27, 1979
City: Salinas, CA
Quantity: 155,000,000
John Steinbeck was the first to be honored on the Literary Arts series. Steinbeck’s novels mirrored America’s struggle and victory over the Great Depression. His most famous novel, The Grapes of Wrath won the Pulitzer Prize in 1940. Other Steinbeck novels include Of Mice and Men, The Winter of Our Discontent, The Pearl, Cannery Row and Tortilla Flat.
I love the Paris Review’s “The Art of Fiction” interviews. If you haven’t read them, start with Steinbeck, Interview No. 45.
Listen to Steinbeck read two of his short stories, “The Snake” and “Johnny Bear” in 1953.
Dorothy Parker 29¢
(1893-1967)
Issue date: August 22, 1992
City: West End, NJ
Quantity: 105,000,000
Dorothy Parker is 10th in the Literary Arts series. Famous for her verses and her stories, she worked for Vogue and Vanity Fair, becoming their drama critic. She was published in Vanity Fair, Ladies Home Journal, Saturday Evening Post, Life (when it was still a comic magazine), and The New Yorker, run by her old friend, Harold Ross.
American journalist Vincent Sheean said: “Among contemporary artists, I would put her next to Hemingway and Bill Faulkner. She wasn’t Shakespeare, but what she was, was true.” John Keats in his biography of her, You Might as Well Live (1970) stated: “She wrote poetry that was at least as good as the best of Millay and Housman. She wrote some stories that are easily as good as some of O’Hara and Hemingway.”
A founding member of the legendary Algonquin Round Table, she was best known for her wit. Among her more memorable quotes are, “I don’t care what is written about me as long as it isn’t true” and “Men seldom make passes at girls who wear glasses.”
Read Dorothy Parker’s Paris Review’s “Art of Fiction” Interview No. 13.
Have you heard Dorothy Parker’s voice? You can hear her reading 30 of her poems at The Dorothy Parker Society.
Note: Featured stamp collection image courtesy of Birmingham Coin & Jewelry.
Check out the rest of the “Give A Lick” series:
Flannery O’Connor and Ralph Ellison
Humorists Ogden Nash and James Thurber
[Bonus: James Thurber Cartoon]
